Middling films are always the toughest to write about. You can’t go all out with blazing guns because, well, it isn’t that kind of a film. It also isn’t the kind of film that you can shower praises on. No, Watchman is the kind of film that makes you feel vaguely happy about its snappy runtime. The kind which holds the viewer up at the gate — neither letting them completely in nor leaving them stranded on the streets.
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