Just as our interview is about to begin, Ashwin Saravanan walks in, clutching a copy of Driven: The Virat Kohli Story. It’s a word that could well define Ashwin himself. He stepped into cinema, after quitting his software job. His first film Maya (2015) was a huge hit, and the trailer of his second film, Iravaakaalam, also sparked good responses. However, the delay in the film’s release meant that every conversation with Ashwin inevitably veered to that subject. The filmmaker admits it was tough to come out of it. “Every filmmaker is a control freak. This is the worst situation for a filmmaker to be in,” he says. In fact, he began isolating himself as repeated explanations became exhausting. “Imagine people seeing you pregnant, and then, one day, your baby vanishes. Everyone keeps asking what happened to it.” However, he wouldn’t be stopped.
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