Aadai DoP Vijay Kartik Kannan: Cinematography is like a sine wave

Aadai might have opened the Pandora’s box of debates but it received unanimous appreciation for its top-notch cinematography that embodied the ‘dignified gaze’. In an industry notorious for objectification, this film is unique in how it showed a woman’s nudity in a respectful light. Ask Vijay Kartik Kannan, the cinematographer, and he says with an honest smile that it was a team effort. Here, he talks about Aadai, his third film after Sindhubaadh and Iravakaalam, about the need to maintain rapport with the director and how big a part budget plays in cinematography…

Read the full interview here:

https://www.cinemaexpress.com/stories/interviews/2019/jul/28/cinematography-is-like-a-sine-wave-aadai-dop-vijay-kartik-kannan-13264.html

Watch the conversation:

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