Aadai DoP Vijay Kartik Kannan: Cinematography is like a sine wave

Aadai might have opened the Pandora’s box of debates but it received unanimous appreciation for its top-notch cinematography that embodied the ‘dignified gaze’. In an industry notorious for objectification, this film is unique in how it showed a woman’s nudity in a respectful light. Ask Vijay Kartik Kannan, the cinematographer, and he says with an honest smile that it was a team effort. Here, he talks about Aadai, his third film after Sindhubaadh and Iravakaalam, about the need to maintain rapport with the director and how big a part budget plays in cinematography…

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