“The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can’t be any large-scale revolution until there’s a personal revolution, on an individual level. It’s got to happen inside first.” Jim Morrison’s words ring in the head as you watch Geeli Puchhi, Neeraj Ghaywan’s short in Ajeeb Dastaans. It is incredibly hard to slot the film because it is gloriously messy, much like reality. Caste, class, gender, sexuality — our identity is often a melting pot of these aspects. However, we rarely see narratives that explore intersectionality in such impressive detail, let alone make for an effective commentary on social power and its hierarchy.
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