Udanpirappe is Jyothika’s 50th film. Her ‘second innings,’ as she calls it, has been dotted with stories that champion women. More specifically, her films speak of, and for the middle-aged woman, a demographic that is often left out on screen. Tamil cinema rarely engages with middle-aged women, beyond her identity as a wife or a mother. Jyotjika has spoken very candidly about the gender bias in the industry, and her films have been crucial in representing this space.’
However, Udanpirappe is not a female-centric narrative like her earlier films. The film revolves around the bond between Vairavan (Sasikumar) and his sister Mathangi (Jyotika). An ongoing feud between Mathangi’s husband (Samuthirakani) and Vairavan has led to a falling out. While family feuds are no stranger to Tamil cinema, Udanpirappe has an interesting clash of ideologies at the centre. While Vairavan believes in quick justice, even if it means turning vigilante and resorting to violence, his brother-in-law is a stickler for rules. The latter argues that violence will only add fuel to the fire, and can never be the solution. However, Vairavan argues that our snail-paced systems rarely get around to delivering justice. However, Udanpirappe does not explore these contrasting perspectives in detail. It is content to stick to the surface — happy to make an Anniyan out of Vairavan and an Ambi out of his brother-in-law.