Remembering K Balachander: Director Vasanth talks about his master, mentor, and father

“‘Achamillai Achamillai was the first film in which I properly assisted KB sir, even though he had known me before. Naa romba thittu vaangina padam (laughs). I remember joining the shooting at Courtallam a bit late, and we were shooting ‘Odukira Thanniyile’ song. I thought we would be shooting near the falls, but KB sir just looked up and asked, “How will it be if we placed the camera there?” pointing to the start of the fall. Our 90-man crew trekked up the waterfall to shoot for that song, crawling on all fours to reach there. His passion for cinema was so intense.”

Read the entire piece here:

https://www.cinemaexpress.com/stories/columns/2020/jul/10/remembering-k-balachander-director-vasanth-talks-about-his-master-mentor-and-father-19329.html

Watch the conversation here:

Theatre of dreams

Backed by Book My Show and PVR Cinemas, Vkaao, an on-demand cinema service, is looking to bring the best of international cinema to Indian screens

There are multiple reasons why we may miss a film on the big screen. Sometimes, the shows aren’t convenient. Sometimes, the film may not even make it to your country. I, for one, have always dreamed of catching the classics in a theatre. All this has made Vkaao, India’s first on-demand platform, an interesting alternative for cinephiles. The company, launched in 2017, has now launched a new initiative that will bring the best of international cinema to India. Titled Vkaao Gems, the initiative has garnered good response with regional screenings of Cannes favourites, Capernaum and Shoplifters. Vaibhav Lal, Co-founder & CEO, Vkaao, is gratified with the response and elaborates on future plans.

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The half-yearly playlist: Music that rocked Tamil cinema in the first half of 2019

The beginning of July signals half-time and it’s a good time to look back on the year and pick favourites. 2019 has been a particularly rewarding year for the Tamil musicophile. So, sit back, relax and sing along, as we take stock of some lilting tunes, this year, that won’t be leaving our playlists anytime soon.

Continue reading “The half-yearly playlist: Music that rocked Tamil cinema in the first half of 2019”

The Crazy combination: An ode to the legendary relationship between Kamal Haasan and Crazy Mohan

I had the privilege of talking to the late Crazy Mohan, sometime last year, when told that the conversation would be centred on his association with Kamal Haasan, one of his closest collaborators. Crazy Mohan readily agreed. Upon meeting him, I was pleasantly surprised; age had had little effect on his humour and his childlike innocence. Nobody who knew him then would have imagined that he would pass away a year later.

Continue reading “The Crazy combination: An ode to the legendary relationship between Kamal Haasan and Crazy Mohan”

Classic Comeback

Collage credit: Cinema Express
Collage credit: Cinema Express

With theatres across the city taking to re-releasing older films — and to full houses — we find out what it takes to bring these yesteryear hits back to the theatres

I caught the 2006 Selvaraghavan film, Pudhupettai, on the big screen recently. Touted to be a landmark Tamil film, it’s one that’s part of most ‘must-watch’ lists. Several things have changed since the film’s release. For one, Vijay Sethupathi, who plays a cameo in it, is now a star, and in the theatre I caught the film in, the cheers he got were as loud as for Dhanush himself. Much may have changed, but the love for good cinema persists, and the ‘playback craze’ seems to have caught on in the city.

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Small screen gets its silver sheen

When Kamal Haasan received flak for opting to host Bigg Boss Tamil, the actor defended his choice with one explanation: The show would take him to the living rooms of the people of Tamil Nadu. And that it definitely did. The first instalment of Bigg Boss Tamil percolated into the daily conversations of normal people, and proved to be a formidable alternative to the serials that constituted primetime television. Continue reading “Small screen gets its silver sheen”

Vada Chennai, 96, Badhaai Ho and A Star is Born — Are clichés always bad?

Arguably the most common accusation a film gets from everyone who consumes cinema, clichés are considered to be an abomination in films. However, as Khaled Hosseini puts it in his book Kite Runner, clichés are also ‘dead-on’. Talking about avoiding clichés in creative writing, he writes, “the aptness of the clichéd saying is overshadowed by the nature of the saying as a cliché.” In fact, to prove his point, he goes on to use a few cliched phrases in the next few lines with brimming charm. Continue reading “Vada Chennai, 96, Badhaai Ho and A Star is Born — Are clichés always bad?”

Vada Chennai music review: Santhosh Narayanan captures the vibrant charm of North Chennai

It isn’t every day that we come across an album with ten tracks. But when the music is intriguing as Santhosh Narayanan’s, we have no complaints. His music for Vada Chennai can be split into two parts — one, with the gaana-infused folk numbers and the other, with the melodies that might as well be trademarked in his name. With the first part, Santhosh captures the cultural exuberance of North Chennai. However, he balances this with the other part, melodies that consist of an eclectic mosaic of sounds that we have come to expect of him. Put the two together and you get a holistic picture, not just of the film, but of the composer himself. Continue reading “Vada Chennai music review: Santhosh Narayanan captures the vibrant charm of North Chennai”

Fifty shades of khaki

Moondru Mugam, Kaaki Sattai, Vettaiyadu Vilayadu, Pokkiri, Mankatha, Saamy, Kaakha Kaakha, Singham, Siruthai, Thani Oruvan… You can see where I’m going with this. They are all cop films, yes. They are all blockbusters, yes. Most interestingly, they are all films that boosted star appeal. It’s probably why several of our stars don the khaki with as much eagerness. Vijay did it again with Theri, Ajith with Yennai Arindhal, and this week, Vikram is now putting it to test with Saamy Square. What is it about the force that so fascinates our heroes? Is it the legitimacy the force provides to their actions? Is it perhaps the saviour, do-gooder image? Or is it just plain old commercial success? Continue reading “Fifty shades of khaki”

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