Diya movie review: Sai Pallavi, Sam CS shine in this horror film

How ‘politically correct’ do films need to be? Do we consume films as a mere story or an aggregation of the social ethos it is made in? And if it is the latter, how holistic can our perspective be? Is it possible to make a factually right, comprehensive argument with cinema? Isn’t there always a case, an angle or a perspective that can completely make us switch sides? These are some of the long-standing questions that rose again in my mind as I watched Diya (earlier named Lycavin Karu). Continue reading “Diya movie review: Sai Pallavi, Sam CS shine in this horror film”

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