The half-yearly playlist: Music that rocked Tamil cinema in the first half of 2019

The beginning of July signals half-time and it’s a good time to look back on the year and pick favourites. 2019 has been a particularly rewarding year for the Tamil musicophile. So, sit back, relax and sing along, as we take stock of some lilting tunes, this year, that won’t be leaving our playlists anytime soon.

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Airaa review: A story that would have worked better, out of the horror template

Why do some people get everything when others don’t? It is a question that Yamuna (Nayanthara) asks herself in the film. “God created men. But where did he go then? Was he sleeping?” she adds. Airaa, KM Sarjun’s latest, argues that life is a gigantic malfunctioning Rube Goldberg Machine of which we are parts. (The opening credits has an animated version in the background). It argues that mostly, we don’t understand why we get hit; we just deal with the after-effects. Airaa follows one such thread that links Yamuna, who seems to have it all, with Bhavani (a darker Nayanthara) who loses everything.

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Nayanthara wasn’t initially supposed to play both roles in Airaa: Sarjun KM

KM Sarjun’s rise to fame is a unique story. He’s a filmmaker who commanded fan-following even before the release of his first feature film. Pegged as a feminist filmmaker on account of his short films, Maa and Lakshmi, he is now back into the limelight with another woman-centric film, but this time, featuring a star, Nayanthara. His Airaa will also be the first film to feature her in dual roles. In this freewheeling chat, Sarjun opens up about the feminist filmmaker tag, working with Nayanthara, and what it’s like to work with a female co-writer.

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‘The chemistry Sarjun and I share is a gift’

As a child, KS Sundaramurthy used to enjoy watching people play the tabla. “My interest in music began then. I then started learning the keyboard,” begins the young composer who has got himself a big-ticket release with Nayanthara’s Airaa

His love for cinema seems to run in the family. “My father is a designer. Since Vikram he has been the title and poster designer for Kamal Haasan sir”. He has also worked with Mani Ratnam for Thalapathi and Anjali,” he says. Saturday nights at the Sundaramurthy residence were reserved for films, especially those by K Balachander and Visu. “My love for cine music and re-recording grew. I was learning all sorts of things — piano, Hindustani, sound engineering.” Music, he believes, comes from within. 

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