Nimir movie review: This Udhayanidhi Stalin film is a faithful remake

The first few scenes of Maheshinte Prathikaram and Nimir are the same on paper. We are introduced to a pair of fairly used slippers that are being cleaned meticulously. While Mahesh (Fahadh Faasil who plays the lead in the original) just places it on the banks, a cinematic moment is created around Udhaynidhi. Selvam (Udhay) lifts the pair of slippers high above his head like a trophy in a gesture that feels close to triumph. After an unassuming introduction, Maheshinte Prathikaram gives us “Idukki” — a song that is vibrant and rich in culture. Here we get an equally flavoursome “Poovuku”, that showers us in nostalgia from the villages we used to see on screen in the 80s. However, the effect is a bit marred when the song is partly used as a dance number. Probably the most commercial trope ever, we have random women dancing around the fields with bare midriffs. Nimir is a fairly faithful remake that quite serves its purpose except for the times it plays to the gallery. Continue reading “Nimir movie review: This Udhayanidhi Stalin film is a faithful remake”

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