I have been thinking a lot about Bommi, since catching Soorarai Pottru on Amazon Prime Video. To be honest, we all have. There’s a lot to appreciate in the final, sure. But the lead woman, Bommi, takes the cake, quite literally. Intelligent and feisty, Bommi aka Sundari is probably one of the best heroines we have seen recently in the Tamil mainstream. It feels heartening to see such a character get as much love. If nothing else, it is a sign that people do appreciate representation that is closer to the truth. There are no more excuses really. (We have never had an acceptable rationale anyway.) A woman of strength and sense can exist anywhere with dignity if we let her. And now, we have another example to show for it.
There is a famous quote that time is priceless. But in our world, time is frequently bought. For example, for a regular person, a trip to Mumbai takes roughly a day by train. But for the wealthy, it takes less than two hours. Why is the time of a wealthy person inherently more valuable? Who decides that the time of the not-so-rich isn’t worthy enough? These are the questions behind Nedumaaran Rajangam’s dream of creating a low-cost airline. “Vaanam enna unga appan veetu soththa,” asks Maara furiously. The idea is to make the skies accessible, for anyone who dreams to fly
Rajiv Menon’s Sarvam Thaala Mayam is one film that I had been waiting to see for quite some time. Not just because I like Rajiv’s body of work, (Kandukondein Kandukondein is one of my favourite films, period.) but also due to the nature of the film. It follows the story of Peter Johnson (GV Prakash Kumar), a Dalit Christian who aspires to become a Mridangist and break into the ranks of sabha artists. The storyline was of immediate interest, not just due to the casteism angle, but also due to the choice of instrument that it puts under the spotlight.