Seethakathi review: A brilliant meta-film, marred only by its indulgence

What is art? What makes art? There’s a definite science to it, but is that all? Then, why are few practitioners of art better than the others? One cannot deny the existence of something more — that’s intangible and makes art what it is. Name it what you want: soul, life, spirit, passion, talent, anything. But there’s no denying the fact it is there. Balaji embodies this ‘spirit’ in a wizened thespian, who is interestingly named, Ayya Aadhimoolam which in Tamil translates to ‘the crux’. And Seethakathi, his latest, ponders over what happens when that ‘soul’ leaves.

Continue reading “Seethakathi review: A brilliant meta-film, marred only by its indulgence”

I hardly do happy music: Govind Vasantha

Govind Vasantha still comes to press meets on his Unicorn bike. Praise for his music for 96 has been lavish, but life hasn’t changed much for the violinist-composer. “I am sure that it won’t as well,” says Govind. On 96’s album, he says he knew even before the shoot that music would be an integral part of the film. “We knew it would not exactly be like a musical but that the emotions would be conveyed through music,” he says. Govind is thankful that he got the necessary freedom both off-screen and on-screen to make music. “Both Prem (Kumar) and the editor Govindaraj knew what they wanted. If you look at it, even the shots and edits are relaxed. I was given the time to build up my score and transcend. That’s rare.” Continue reading “I hardly do happy music: Govind Vasantha”

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