In a recent interview with The New Indian Express, director Siva revealed that when Rajinikanth asked him what kind of film he had in mind, he said, “It’s a film that has everything.” But when you watch Annaatthe, what this actually means: a mixtape of themes and emotions from their previous work. (If Viswasam was the battle between two fathers, Annaatthe is the clash of two brothers.) And they do not stop at their own work.
Annaatthe has pieces from almost every film in the ’90s and early 2000s, so much so that it feels like we have discovered the film from a time capsule. This family drama is so familiar that the audiences become autocomplete tools — it is enough if you just hear the beginning of the dialogue, you know the rest.