Ms. Representation: Sivaranjaniyum Inum Sila Pengalum-Dissent in the drawing room

“If I have seen further, it is because I am standing on the shoulders of giants.” Newton’s iconic words have, for long, been used to symbolise progress. But watching Director Vasanth’s Sivaranjaniyum Inum Sila Pengalum (SISP) reminded me of all the battles our women have fought in their drawing rooms. Whatever modest progress we, women, have achieved, is because our female predecessors have fought tooth and nail for it. This isn’t always out of choice; in fact, they happen because there is no choice. When the space for a woman continues to shrink, at some point, she is forced to fight to reclaim it. Dissent becomes survival. SISP, an anthology, brings stories of three women and how they reclaim their space (all of them are stories adapted from short stories by Ashokamithran, Adhavan, and Jeyamohan respectively.)

Continue reading “Ms. Representation: Sivaranjaniyum Inum Sila Pengalum-Dissent in the drawing room”

Richie movie review: This Nivin Pauly and Prakash Raj starrer works in parts

There is a scene where Richie and his father (Prakash Raj) are having a conversation at the church. Prakash Raj is a pastor and Nivin waits for him to step out, his profile perfectly aligned with the spine of the Cross. As Prakash Raj steps in, they take the opposite sides of the cross — Richie on the right (pun intended). The scene, for me, is a clear example of the tone Richie takes, in contrast with Ulidavaru Kandante. While essentially both films document the story, Richie is a detailed version of Ulidavaru Kandante. There are several new angles added to the story in form of explanations as to why the characters do what they do. Unfortunately, they don’t sit well with the chaos the narrative style generates. The clash between wanting to be sure the audience understand everything and to also have a convoluted narrative dampens Richie’s effectiveness; something I had loved about the original. Continue reading “Richie movie review: This Nivin Pauly and Prakash Raj starrer works in parts”

Lakshmi short film review: Why we need to re-think about how we see women on screen

The first few minutes of Lakshmi is drained out of colours, just like the life of its lead character. We see the eponymous Lakshmi (an effective Lakshmi Priya Chandramouli) go about her day. The monotony sets in; even more so as her husband rolls on top of her every night without a second glance at her. There is also a hint that the husband might be involved with another woman. Hues starts to colour Lakshmi’s life as she meets an attractive man on the train. She finds herself smiling involuntarily, indulging in the guilty joy that unsolicited attention provides. Until a bandh drives their paths closer. Charmed by the man, Lakshmi ends up in his house and eventually in his bed. Continue reading “Lakshmi short film review: Why we need to re-think about how we see women on screen”

Create a website or blog at WordPress.com

Up ↑