LKG review: A fairly entertaining political satire

Most of our political films promise us a messiah — a saviour in the form of a leader. With an exception of Annanukku Jey, another political comedy, our films in this sphere have been about an apolitical person being pushed into the realm. They rise up to the occasion, lifting up the system from the rut it has been stuck in for years in the process. We saw it in Mudhalvan, we saw it in Sarkar and also, in NOTA. The biggest thing that works for LKG is that Lalgudi Karuppaiah Gandhi is no hero, at least in the conventional sense. And that RJ Balaji, who makes his debut as a lead, doesn’t try to be one as well. (Here’s an A+ for that!) Continue reading “LKG review: A fairly entertaining political satire”

Even politicians who watch LKG will not be against it: RJ Balaji

A couple of days back, a picture of a wall-painting in Chennai went viral on social media. Why is this wall painting special? A conventional way to popularise politicians, this one heralded the entry of RJ Balaji into the sphere of politics. The photo sparked off immense speculation — a popular face in the Jallikattu protests, who has been vocal socially before and after that, it wasn’t far-fetched that RJ Balaji would turn a politician. The speculation was further fuelled when the flag of a party started floating around online. When it almost seemed certain that we have one more media personality taking the political plunge, RJ Balaji revealed that the photos are part of his upcoming film LKG, which revolves around the political strata. Continue reading “Even politicians who watch LKG will not be against it: RJ Balaji”

Kayamkulam Kochunni is a film I would always be proud of: Priya Anand

Did you know that Priya Anand wanted to assist director Shankar when she first entered the industry? A student of Journalism and Business Communication, Priya Anand was more keen on production initially. “I started getting offers and I thought I’ll do this on the side. I was so clueless when I started off. But I worked hard to get better and it kind of stuck.” Now she says, there is no turning back. “Now that I’ve done and seen how difficult acting can be, I’m not sure. There’s a lot of pressure to be a filmmaker. I’m still learning to work with directors like Rosshan Andrews and I want to focus on it for some more time.” Continue reading “Kayamkulam Kochunni is a film I would always be proud of: Priya Anand”

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