A new year is usually considered to be the harbinger of new beginnings. Tamil cinema, however, has returned to some old traditions. The theatres are open and full again, and we have brand new releases. But along with the festive cheer, two of the Pongal releases also brought back perhaps the most popular version of woman in Tamil cinema: the Loosu Ponnu™. Save for an errant occurrence here and there (the heroine from Dagaalty comes to mind), this woman seemed to have bid goodbye. This isn’t to say that women roles have always been written with diligence, but at least, they weren’t manic pixie dream girls. Sadly, Bhoomi and Eeswaran bring back this woman back. More strangely, both roles were played by the same actor.
We take stock of the music scene in Tamil cinema, this year: the trends, highs, lows, and how the industry survived a pandemic
Taylor Swift once said that while people have not always been there for her, music always has been. If there’s any one year in which this quote assumes special relevance, it has to be this year. A lonely year of forced isolation and uncertainty—not just for the future, but for human touch and connection—2020, to put it mildly, has been tough on everyone. It’s a year that reiterated the significance of artists and creators, whose professions seem to be thought dispensable. Holed up in our homes, almost all of us found solace in music, much more than we have been used to. The melodies and lyrics filled up the void for emotional connection we all longed for.