One of the most exciting casting announcements in recent times was that Khushbu and Meena were going to be part of Rajinikanth’s Annaththe. Naturally, there was curiosity over the announcement. Two of Tamil cinema’s successful heroines from the 90s, Khushbu and Meena have played the female lead in several Rajinikanth blockbusters. Conventionally, older heroines do not get to play the female lead when they return to cinema. They turn into sisters, sisters-in-law, or even mothers of the same heroes they had once been partners of. Annaththe followed suit: Nayanthara was paired with Rajinikanth, while Khushbu and Meena played Kalaiyan’s (Rajinikanth) hung-up ‘morai ponnunga’ in a ridiculously unfunny track that did no justice to both women. Pachakili (Soori) says, “Ivanga close panna account-a reopen panna vandhrukanga.” The film and the treatment stop that from happening.
In a recent interview with The New Indian Express, director Siva revealed that when Rajinikanth asked him what kind of film he had in mind, he said, “It’s a film that has everything.” But when you watch Annaatthe, what this actually means: a mixtape of themes and emotions from their previous work. (If Viswasam was the battle between two fathers, Annaatthe is the clash of two brothers.) And they do not stop at their own work.
Annaatthe has pieces from almost every film in the ’90s and early 2000s, so much so that it feels like we have discovered the film from a time capsule. This family drama is so familiar that the audiences become autocomplete tools — it is enough if you just hear the beginning of the dialogue, you know the rest.