Early on, there’s a scene in Vijay’s latest release Sarkar where a corrupt politician kills an investigative journalist with an idol. It made me wonder if there is a metaphor behind. But soon enough, AR Murugadoss makes it clear that Sarkar isn’t that kind of a film. Rather, this is a film that functions on stretches of expository dialogue. There’s a judge who doesn’t know a law about bogus voting. The corporate criminal Sundar Ramaswamy (Vijay) introduces it to him. There’s another judge who ‘wants’ to know if the Election Commission has the power to declare an election invalid and announce a re-election. And in these cases and many more, it is Sundar explaining what has to be done. The didactic monologues begin right from the start and thus, AR Murugadoss’ Sarkar feels like a terribly long campaign that breathes only when there is a song or a fight.