Sarkar review: A superficial political campaign that worships Vijay, the star

Early on, there’s a scene in Vijay’s latest release Sarkar where a corrupt politician kills an investigative journalist with an idol. It made me wonder if there is a metaphor behind. But soon enough, AR Murugadoss makes it clear that Sarkar isn’t that kind of a film. Rather, this is a film that functions on stretches of expository dialogue. There’s a judge who doesn’t know a law about bogus voting. The corporate criminal Sundar Ramaswamy (Vijay) introduces it to him. There’s another judge who ‘wants’ to know if the Election Commission has the power to declare an election invalid and announce a re-election. And in these cases and many more, it is Sundar explaining what has to be done. The didactic monologues begin right from the start and thus, AR Murugadoss’ Sarkar feels like a terribly long campaign that breathes only when there is a song or a fight.

Continue reading “Sarkar review: A superficial political campaign that worships Vijay, the star”

Happy birthday Vijay: From Ilayathalapathy Vijay to Thalapathy Joseph Vijay

Vijay’s first film as a lead was his father SA Chandrasekhar’s 1992 directorial Naalaiya Theerpu. In a sweet note, SAC (as he is popularly known) introduces his son as the hero. “I leave the future of my son Vijay in your (the audience) hands. You all have showered myself and Shoba with love. We hope that our son gets the same love and warm welcome as well.” It is quite fun to read this in 2018 when Vijay is one of the biggest stars Kollywood has produced. The announcement of when the first look poster of his upcoming film would be unveiled had set social media on fire. So you can imagine, the response his 62nd film Sarkar would receive. I don’t think even SAC would have predicted the degree of love that Vijay is showered with now. Continue reading “Happy birthday Vijay: From Ilayathalapathy Vijay to Thalapathy Joseph Vijay”

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